Coleridge described his poem,
‘The Rime of the Ancient Mariner’ to be a work of ‘pure imagination’. This
could be in referral to any number of things throughout the poem, for instance
– the consistent ambiguity in the significance of the different aspects of the
story which could be in relation to the albatross or even the dramatic and
spectacular changes in the environment that are somewhat reminiscent of
fantasy.
Many people argue that this is an
accurate assessment of this poem because of these features, as well as others
such as the extraordinary experiences which the Mariner and his crew are forced
to endure such as the contrast between freezing in a glacial wasteland and
dehydrating under a blistering sun, and then the even more stranger –
witnessing the crew return from the dead and coming into contact with a full
ghost crew and ship.
It is these aspects specifically
which may lead the reader to believe that the entire poem was spawned purely
from Coleridge’s imagination, however – it can also be argued that ‘The Rime of
the Ancient Mariner’ is not purely imaginative. This is because there are
several points throughout the story which seem anchored into the morality of
religion, for example - sleep is ascended to the ideal image of a gift from the
Virgin Mary, because it had been impossible to achieve before, the Mariner saw
the escape as somewhat ‘sacred’.
The entire story of the poem
could also be compared to the original sin made by the first humans, Adam and
Eve. Just as Eve ate the forbidden fruit albeit she was explicitly warned
against it and was henceforth banished from the Garden of Eden, the Mariner
shot down the albatross for no apparent reason, even though it had acted as a
guide for him and his crew and was forced to suffer the consequences. The heavy
morality linked with this classic tale of crime and retribution may also
influence readers to believe that the poem was not formed purely based on
imagination.
In my own opinion, I believe that
the framework of the tale is based on external factors such as religion or
superstition created by someone other than Coleridge, however I also believe
that the nature of the punishment delivered to the Mariner, and in fact the
crime that he committed was a work of Coleridge’s own imagination. Of course, if
the reader is non-religious, the only part of the poem that will seem
non-fictional is the ideology of morality and the theme of crime and
punishment, however – I believe that there is definitely a structure to
Coleridge’s work as opposed to it being purely self-invented, and therefore I
must somewhat disagree with Coleridge, as I do not believe that the ideals of
the story are imagined, even if the actual story is.
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