The Narrative voice used in ‘The Road’ is mostly from an
omniscient perspective, focalised on the character of the man in the style of
indirect discourse. It does, however, differentiate occasionally by switching
to first person, we primarily see this occur on page 26 when the man says
“where we used to have Christmas when I was a boy” – this shows a level of
emotional attachment which is usually absent when the narrative voice is wholly
omniscient.
Although it is possible to detect when the narrative has
changed from completely omniscient, to indirect discourse – it seems that
McCarthy never uses ‘direct discourse’ in the writing of ‘The Road’. This could
be because direct discourse would require speech marks and a wider range of
punctuation overall, McCarthy has decided to write without these normal traits
of literature so as to emphasize the sparse nature of the landscape that the
characters are in and implement a feeling of loss on to the reader.
It is significant that the narrative perspective is
omniscient because it acts as more of a camera this way, only telling us what
we can see through the focalised character. This means that there is a lack of
emotional input from the narrator which I think, again emphasizes the feeling
of loneliness that the two characters must feel.
As well as the use of indirect discourse, McCarthy also
employs a free indirect style in the road which is mainly used in the form of
analepsis. For example on page 26, the man says “we would sit at the fire” –
creating a sense of memory and back story which is essential for making the
character seem more realistic and believable.
It could be argued that McCarthy does not use a consistent
style of narrative or perspective so as to accentuate the amount of undeniable
confusion that a post apocalyptic world such as the one written in The Road
would cause, this would then coincide with the way in which McCarthy uses
punctuation to create barrenness, hence why the narrative voice and perspective
are so significant.
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